1. |
The Death Drive
08:58
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2. |
Smoke and Mirrors
05:56
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3. |
Lifeblood
05:56
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4. |
Iskry
05:21
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5. |
So Bleeds the Night
07:26
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6. |
Sedation to Sedition
05:28
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7. |
Te Deum
08:36
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supported by 15 fans who also own “Lifeblood”
This album is just 100/100, like so many albums from mgla. How can a band hit the spot so many times? They are incredible. Thank you for accompanying me almost daily these days :)
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A Diabolic Thirst
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supported by 13 fans who also own “Lifeblood”
Late 90's BM worship, but it's also a lil more than that. This album takes the best elements from the scene it's inspired by and mostly avoids the worst of it; the song-writing is well-written, it's performed with passion and fun, and the production is raw but isn't lo-fi. (i.e. it doesn't obfuscate and/or suckass). Tl;dr It's safe but high quality BM. Recommended.
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supported by 13 fans who also own “Lifeblood”
Gaerea's first release of "Unsettling Whispers" was in 2018, and since, they dared define a "black metal" niche of their own, they dared to walk a new path and stir shit up a bit in the realm of BM, this album is a masterpiece and a milestone proving that it can be done, provided the band can pull it off, and they did, oh they did! Gloomy, dark, post-BM sludgy whatever, it's Gaerea, and this one belongs in my BC collection, the end.
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From the Other Side of the Mirror
by Glassing
On this pummeling new LP, the Austin group blend up screamo, black metal, and noise rock into heady, urgent music.
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Killer, knotty blackened prog from Norway, full of ferocity and complexity, with blistering guitar leads aplenty.
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Oracular Hexations
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The Suns of Perdition - Chapter I: War, Horrid War
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supported by 12 fans who also own “Lifeblood”
Full on assault on the subject. I love everything about this album. The use of the Russian propaganda message of the Eastern front in Stalingrad, Massengrab, together with the sound of roaring Stuka's and thunderous bombs portrays the chaos of warfare better than any other black metal band I have heard so far. Very much a recommended album.
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